(Morris’s final film was also a spy film “The Return of Dr. It’s all over in the blink of an eye which is probably a good thing as itĭoesn’t get the chance to outstay its welcome. The “men from intelligence” are suitably austere and love interest Clare Owen is very1950s. But there are some redeeming qualities: it is a good period piece with lots of London locations and an enjoyableĮscapade to Seaford in Kent. The lacklustre spies that are after him seem a little inept. The film has its downsides Martin is gullible and his portrayal by chubby Maxwell is not “Shadow of Fear” is the better film featuring the story ofĪmerican Bill Martin (Paul Maxwell) on his way back from Iraq being kidnapped by a spy ring in London. He made two espionage titles in 1963: “Shadow of Fear” and “Echo of Diana”. 2/10Įrnest Morris directed a handful of one hour programįillers for British low budget outfit Butchers Film Productions.
#Spy agent movies full
The city is full of 1950s American cars and fashions. They are a fascinating historical record that could have been shot 10 years earlier as Overextended driving shots taken of Cape Town which feel like a 16mm travelogue film made for a travel agency. Probably the best part of the film is the In baggy shorts, diamonds, exotic natives, lots of talking and a fist fight at the end.) In fact the whole film has the German exotic adventurer genre feel. Cramer comes over like Joachim Fuchsberger in an Edgar Wallace story even looking the same. Hanstein (Silvia Simon) a pretty blonde who gets mixed up with the diamond thieves and it is left to Kommissar Jochen Wilke (Michael Cramer) and her annoying boyfriend Frank Fleischer (Michael Long and offer little light relief from the plodding tale of diamond smugglers.įor the record, the plot revolves around Veronika Shocking self mortifaction dance rituals by the natives are tediously Made in the same year as “Mondo Cane” and shares the same cod anthropological style in its travelogue examination of the natives. Sfida nella città dell'oro is certainly that.įilmed mostly in Cape Town, South Africa the film was The fact that it was the only foray into film production by Monaco based would be mogul Lothar Lomberg is further indictation that this was something of an
![spy agent movies spy agent movies](https://static.stacker.com/s3fs-public/styles/properly_sized_image/s3/bestspymoviesbestspymoviesslide50ZMWE_0.png)
The fact that Sfida nella città dell'oro is credited Nella città dell'oro aka Challenge in the City of Gold (Alfredo Medori, Hermann Kugelstadt ,Wolfgang Schleif 1962) For a fan of the Mittel-Europe spy subgenre or someone who likes crossword puzzles, it is a MacInnis’ novel, the film is certainly dense and confusing but the atmosphere is rich and effective. In trying to cover all the complexities of Helen Is also worth a mention as the positively schizophrenic Elissa Lang a wonderfully duplicitous agent. Udo Kier appears also as a rather nasty spy and Karen Jensen Mabuse) Preiss and Klaus Maria Brandauer.
![spy agent movies spy agent movies](https://i.ytimg.com/vi/7Q7qOmnRZzE/maxresdefault.jpg)
Plenty of top notch European acting talent isĮnlisted for “The Saltzberg Connection” including Godard’s favourite Anna Karina, Wolfgang (Dr. Slowing down the traffic to a near standstill.
![spy agent movies spy agent movies](https://static1.srcdn.com/wordpress/wp-content/uploads/2020/08/Spy-Gadgets-Featured-Image.jpg)
Being a Barry Newman film, there is a splendid car chase (see “Vanishing Point” or “Fear is the Key”.) The twist in this one is rather than a speedy getaway, Newman comes out on top by Bill Mathison (Barry Newman) is a lawyer who finds himself at the sharp end of a fight for the documents between CIA, Israeli and Neo. Its tale of Nazi secrets hidden at the bottom of a Swiss lake. “The Saltzberg Connection” epitomises this style with Spires of the cities to conjure their atmosphere. Taking as an aesthetic the more austere settings of Germany and Switzerland, Mittel- Europe spy films take advantage of the dark forests and lakes, alpine mountains and the rain splashed cobbles and Katzin, 1972)Īn overlooked example of Mittel-Europe spy cinema. Title sequence and upbeat brass theme music spill over into the film. It is a shame that none of the style of the opening It looks and feels like a televisionĬomedy with back projection, flat lighting and an unimaginative script. Such as an escape from a bunker filling with gas, a kidnapping on a train and a sky diving finale where San Antonio finally makes the big arrest.
![spy agent movies spy agent movies](https://cdn.hiconsumption.com/wp-content/uploads/2017/06/Patriot-Games.jpg)
There are two or three action sequences to lighten the experience He is out of place here with the face pulling and dull dialogue which are interminable. In the straight spy film “Baraka sur X77”.
#Spy agent movies portable
The jokes are long winded and hard to watch īérurier’s obsession with food and the perfect sandwich, a portable radio that is a transmitter (cue listening in on sex gag) and constant slapstick do little to engage. San Antonio is an undercover agent who infiltrates a gang responsible Temps pour les mouches (Guy Lefranc,1966)Īn awkward comedy affair featuring Le commissaire SanĪntonio (Gérard Barray) and his painful sidekick Bérurier (Jean Richard.) that plays like a French carry on film with no laughs.